Inspirations
The other day I engaged in the grim task of cleaning out my e-mail inbox. It had become loaded with messages, some of which were over seven years old. My long-suffering Eudora program gave me the dire warning to clean this crap out or it would quit on me.
Of course, I couldn’t help opening up messages and making totally sure I wasn’t throwing away anything important. I began reading an e-mail chain from a long-defunct writer’s group. In those days we’d start the week with a friendly e-mail to members telling them about our progress or frustrations or breakthroughs. As I was reading them, I noticed something else: one of the members was either
a) continually chronicling reasons why they couldn’t write anything that week
b) subtly attacking members who did make progress or breakthroughs
I’m really impatient with those sorts of behaviors. I guess you’d call me a bee-yotch when it comes to my writing time, but I don’t let much derail me from my appointment with my muse. I think I might have even written a few replies saying, “wtf, tell your spouse he can make his own tomato soup for lunch. The instructions are on the can. This is YOUR time.” She wrote back that she felt it was her obligation to make sure everyone in her family was happy and contented before she felt she could take time away from their needs for her own selfish pursuits.
Huh?
Much later (after I left the group) I learned from another member how guilty Perfect Spouse made her feel if she didn’t get up at the crack of dawn to make her kids hot oatmeal with a drizzled honey smiley-face and instead chose to write until the last possible second. She also reported that PS tried to derail her progress by calling into question the plot, dialogue, research choices, you name it, on her WIP.
Read MoreA really interesting set of studies came out of Johns Hopkins recently, showing what happened to jazz performers when improvising music. Are there lessons here for writers, too?
This, from Science Daily:
A pair of Johns Hopkins and government scientists have discovered that when jazz musicians improvise, their brains turn off areas linked to self-censoring and inhibition, and turn on those that let self-expression flow… (The research) sheds light on the creative improvisation that artists and non-artists use in everyday life, the investigators say…
“When jazz musicians improvise, they often play with eyes closed in a distinctive, personal style that transcends traditional rules of melody and rhythm,” says Charles J. Limb, M.D., assistant professor in the Department of Otolaryngology-Head and Neck Surgery at the Johns Hopkins School of Medicine and a trained jazz saxophonist himself. “It’s a remarkable frame of mind,” he adds, “during which, all of a sudden, the musician is generating music that has never been heard, thought, practiced or played before. What comes out is completely spontaneous.”
Read MoreThis is a strange time for me, writing-wise, because I’m not plotting fresh text or even editing old stuff. I’m thick in the marketing stage of this game. Add to that, my Odyssey of the Mind team competes in FOUR days, so my time is limited. Yes, I’m courting some new story ideas, but it can get a little depressing not to be creating anything but a haiku every now and then.
But yesterday, the mailman left something that made my writerly self cheer: a music CD.
I discovered Roberto Cacciapaglia while researching my story, trying to learn what it would be like to stand in a particular rail station in Rome. On a chat board, someone mentioned the haunting music that played at one station. Someone else named the artist–Cacciapaglia. I found his work online and fell in fast-and-furious love with his music. Every note could’ve been the soundtrack to my story. I had to have the CD. Problem was, Cacciapaglia’s Italian work was impossible for me to locate in this country; it was out of stock everywhere. Still, I bookmarked his website, and visited the music links whenever I needed a boost in those last few weeks of writing. I hadn’t listened to his work for a while when, a few days ago, Amazon sent a notice to say Quarto Tempo was available with a limited number of copies, did I still want it? I ordered it right away.
So now, as I type this, I’m listening to Atlantico, a song that instantly transports me into my story and reconnects me with the characters. I hear meloncholia in this music, a woman’s regret. I hear the sea. I hear the dance of the twin girls who make up the heart of the tale, dancing over a cold beach with bare feet. I hear a touch of magic. This music reminds me of the writing struggle but more than that, it reminds me why I took this journey: because I love my characters and their story. It reminds me that the work meant something–even if it is never published.
That’s a tough truth and worth repeating:
Read MoreOn Monday I wrote on my blog, Flogging the Quill, about beginning an effort to expose ideas for dealing with gun violence. The ideas are in a novel of mine, We the Enemy. I’ve been trying to market it for years, and had a literary agent who pitched it all over hell and half of Georgia. No luck.
But all the pitches were about the story, the plot, the characters, the genre. I’ve kept mum about the underpinnings that make it more than a good suspense read—it’s a novel of ideas.
Woven into We the Enemy is innovative thinking about the right to bear arms, and what to do about lethal weapons, the ones that a madman used to slaughter young people at Northern Illinois University. If those thoughts can spark new debate and ideas about how to solve the problem, then I HAVE to get it out there. God knows our progressive politicians are too scared to even talk about it.
It’s free
First, I’m offering a free PDF of the novel. Just e-mail me and give me your name: wetheenemy at live dot com.
Unboxed queries to agents
I e-mailed 11 literary agents who have read my writing, liked it, and with whom I’ve had some correspondence. But it was not an ordinary query. For one thing, it began with this:
Read MoreOr, How Young Readers Keep You in Line!
I’ve been told many times by publishing professionals that authors who write for children and young adults are generally easier to work with, and more modest, less inclined to have big egos, than their counterparts in the adult literary world. Partly, that might be because, as any children’s or YA author will know, people often don’t take you seriously—the idea being that if you write for kids, you must be an overgrown kid yourself, and your books therefore are not worthy of the same attention as ‘real books’ (and yes, people do actually say to you—When are you going to write a real book?) But another reason is the fact that if your ego ever stood any chance of taking off, you’d be brought back to earth and pretty damn fast too, by your readership.
Children and teenagers are honest. If they aren’t hooked into your book in the first couple of pages, they will simply close it. It doesn’t matter how many prizes it’s won, how well regarded you are by the literary world, they simply don’t care if your book doesn’t grab them.
If they like your book, they will tell you with excitement and enthusiasm. And if they don’t, well, they will say so, without any dissembling, or indeed sparing of your feelings.
Read MoreI promised to post about what inspires me as a writer. The Shorter Oxford gives several definitions of inspiration, starting with ‘Divine prompting or guidance.’ I’m unsure if there are any deities, major or minor, whispering in my ear, so I’ll go for definition 2: ‘The prompting of the mind to exalted thoughts, to creative activity etc.’ This one neatly sidesteps the issue of who or what is doing the prompting.
Writers have a tendency to talk about ‘the muse’, and sometimes to endow said muse with a personality of his or her own. In the Greek tradition there were nine muses. Calliope (epic poetry), Clio (history), Melpomene (tragedy) and Thalia (comedy) are all relevant to the craft of writing. If I had a personal ‘muse of writing’ she would probably take the form of an owl. She’d be self-contained, clever, and not particularly tolerant of lazy thinking. I’d have a dog as my ‘muse of play’, essential as a balance to the serious, working muse.
Not being of a scientific bent, I won’t attempt a discussion of how inspiration relates to brain function. The fact that some people end up as writers, composers, artists or choreographers, while others become accountants, plumbers or truck drivers is probably as much a matter of nurture as it is nature. And where does creativity start and end, anyway?
Read MoreI want to share this letter with everyone, since I know some of you–including Lisa Gates at Design Your Writing Life–took the step to blog about Patry after reading about the blogging efforts and some of you chose to support Patry by buying her book. This thanks should definitely be shared.
Here ’tis:
Hi, Therese and Kathleen –
I want to thank you for the support you gave in helping to spread the word about Patry Francis’s novel as part of THE LIAR’S DIARY Blog Day. Patry is completely overwhelmed, and deeply grateful. Her agent said Tuesday “was one of the most rewarding days –if not the most rewarding day– I’ve had in publishing…” Patry’s own thank you is posted on her blog.
In the end, very nearly 400 bloggers helped move her novel from a ranking of 55,000 on amazon at the start of the day, to #1 in Mystery, 275 overall by evening. Those statistics prove the day was a success, but we knew it would be even before the day began because we could see the groundswell of support, feel the sense of community.
Canada’s National Post did a story about our effort on the 29th, and the next day, told us it was their third most-read online article EVER. [Note: You can read that article HERE.] We’re hoping that others in the print media will now come on board. What took place was a remarkable demonstration of the power of the Internet community, and deserves to be told. And of course, we hope Patry’s sales continue to soar, and more important, that her recovery goes smoothly.
Thanks again so much for your help!
All best,
Karen Dionne, Administrator, Backspace LLC
Thank YOU, guys, for supporting the efforts as well. Write on!
ETA by Kath: Personally, the experience ranked right up there with us going live two years ago. One of the best things about being a part of an online community is the moments when you realize your voice isn’t just a cry in the wilderness, that we CAN make a difference. It was fun to watch Patry’s sales climb as the day unfolded. Bonus: it was wonderful to know we lightened the burden of someone who needed our help.
Photo courtesy Flickr’s .Bradi.
Read MoreHow cool is this? Check out the Movers and Shakers section at Amazon.com HERE. Patry’s sales rank has climbed from 26,701 to 380, up 6,926%. She’s currently the 2nd biggest gainer in sales in the last 24 hours.
That’s pretty cool.
Want to know what all the fuss is about? Read our other blog entries about Patry, posted earlier today, and check out her book The Liar’s Diary on Amazon HERE.
Write on, all.
Read MoreI write mainly for young adults and children, though I’ve also written several adult novels. Most of my books have been fantasy novels, though I’ve also written some realistic fiction. Fantasy is a genre I’ve always felt at ease in—a genre that expresses well the way in which I see the world—and also, it formed a good deal of my own childhood reading. Plus, in practical terms, it’s a genre that’s been good to me. Fantasy is a global genre—no matter whether you live in a little rural settlement in Australia, like I do, or in deepest Manhattan, you have a lot more chance of getting an international audience than in many other genres. That’s an important consideration for an Australian writer, because although we have great readers, our home market is small. Practically all Australian books for young people that have made it into the international market are in the fantasy genre. Partly that’s because fantasy is traditionally the dominant genre in children’s and young adult fiction, of course, but also because fantasy is so portable. (The photo above is of my grandfather Robert-Rene Masson and his grandmother, Madame Chase-Casgrain, 1929)
But I love trying out new things. I love to challenge myself. And recently I decided I wanted to branch out, and start to explore another beloved genre: mystery/crime. Like fantasy, mystery/crime is one of the world’s most popular genres. And like fantasy, it’s something I have an instinctive feel and love for.
Read MoreKathleen and I are thrilled to announce the latest contributor to join Writer Unboxed: Sophie Masson. (See her page HERE.) Sophie–who lives in Australia now, but was born in Indonesia to French parents and spent much of her life in France–has published many historical YA novels as well as some adult fantasy. Stay tuned to learn more about Sophie, and look for her first post on January 16th. A big thanks to Juliet Marillier for recommending her to us.
Have you heard that the Golden Globes were cancelled over the WGA strike? Did you know there’s a new agency in town? Have you read about the Cassie Edwards scandal on the front pages over at Smart Bitches? Did you know that SOHO press will soon launch a new mystery imprint, or that HarperCollins and MySpace have a joint venture going? Have you seen the clip Neil Gaiman put on his site for his upcoming video animation of his novel Coraline? Then click yourself over to Google Notebook for some of the latest books and business news.
Sometimes, when compiling links for Google Notebook, I stumble across a great article or site that, while not right for the Notebook, is still interesting. Here are a few links to things I think you might like:
Read MoreGoogle Notebooks updates are up. Check them HERE.
I really like to read the Writer’s Almanac daily. Love me my poetry fix, and the graphs that follow the poem often include mini biographies of writers whose birthday falls on a given day. Today’s outtakes were particularly enjoyable. Here are a few:
It’s the birthday of writer Italo Svevo, (books by this author) born in Trieste, Italy (1861). He was a closet writer who worked as a bank clerk and then got a job in his father-in-law’s paint-making plant. When Svevo decided to take some English classes for business reasons, the tutor that he found turned out to be aspiring writer James Joyce, who was living in Trieste at the time. Svevo confessed to Joyce that he had written two failed novels, and after reading them, Joyce told Svevo that he was a neglected genius. Svevo was inspired to write a fictional memoir about a patient undergoing psychoanalysis, which took him 10 years to finish. His self-published book The Confessions of Zeno (1923) is considered one of the greatest Italian novels of the 20th century.
More after the Click…
Read MoreI’ve been feeling a little existential lately – probably has something to do with watching my kids grow up and realizing that I’m smack in the middle of full-fledged adulthood, even though I can’t believe that it’s so – and I’ve been dancing around with the question of why I write and why I’ve chosen this career. In many ways, I feel like this career chose me actually: I’d always been a “writer,” and through high school and college, teachers and professors suggested that I pursue it more seriously, but I never gave their comments much credence. After all, who on earth gets paid to write??? It seemed completely absurd. But, as good fortune would have it, after trying on several different professional hats, writing gigs slowly made their way to me, and over time, I was able to build a successful freelance PR and copy writing business that I then transitioned to magazine work. And from there, came fiction.
But I’ve digressed. As I said, I’ve been bouncing around with this question: why do I write? And I haven’t come to a simple answer. I’m not the primary breadwinner in my household, and if I decided to be a full-time mom, that would be okay with my husband, and yet, I choose not to. I choose to write. It is very much a choice. So, then, why?
Read MoreSo NaNo is over and I’m happy because now I can stop feeling like a failure for not completing my 1600 words-a-day quota. There’s plenty of post-NaNo restrospecting going on, and some pretty cool virtual parties to attend, so even if you didn’t make the goal, there are ways to still feel good about participating in this insane endeavor.
My good writing buddy Elena Greene turned me onto the National Novel Finishing Month website. The idea behind NaNoFiMo is to give writers a challenge to finish a partially-written novel. Sounds like a good distraction from holiday bedlam to me.
This year I was a more careful with my NaNo writing in that I’d outlined an actual plot before I started, and upon reading over the draft I see that it doesn’t totally suck (funny how plotting helps). Last year’s NaNo draft had to be chucked en toto because it was ridiculous. There’s a canyon between cranking out words to meet a quota and writing usable prose that will become the foundations of a novel. I wanted the latter, and though I didn’t get anywhere near 50,000 words, I’m pretty happy with what I do have.
I’m seriously toying with signing up for NaNoFiMo. Anyone else crazy enough to join me?
Art by darkangel.
Read MoreThese are the times that try men’s souls….
If you made it this far in Chris Baty’s annual National Novel Writing Month experience, you’re probably at the point that I am at. I reeeeeally want to quit.
My novel sucks. My prose stinks. The pacing’s off. The characters…ugh, let’s not go there. It’s all so painful now.
Early in the process, I was flush with love for my new project. I’d clack away happily every morning, lalalalala I’m writing, look at my word count climb, lalalala, ooo, juicy bit of dialogue just flowed out lalalala.
Then I hit the wall. Two days spent with nary a clue how to go on, with the nagging suspicion that in December I’m going to have to chuck what I’d just spent two weeks writing.
My soul’s being tried.
This morning I gave myself a pep talk. I told myself the following, and I’ll share it with you in case it’ll help you dig deep for those last few days of slashing away at your NaNo project:
Read More