Posts by Therese Walsh
I just returned from a long weekend in New York City, where I joined seven other Writer Unboxed contributors—Donald Maass, Erika Robuck, Heather Webb, Dan Blank, Porter Anderson, Brunonia Barry, and Vaughn Roycroft—for a panel called Writer Unboxed, LIVE at the Writer’s Digest conference. As often happens for panelists as a courtesy, our moderator—Jessica Strawser, editor of Writer’s Digest magazine—let us know a few of the questions she’d ask ahead of time. This was the first we knew to expect:
Why is the Writer Unboxed community important to you, and what have you gotten from it over the years?
The answer should’ve been easy, right? Yet I couldn’t settle on how I’d respond, and that showed in my stumbling start when it came time to answer, live.
“What the community means to me… It’s a hard question for me to answer, honestly. It’s these people,” I said, gesturing down the table to my fellow panelists, “and it’s everyone who comes to the site on a daily basis and leaves comments, and creates legs for a conversation that has started on the blog and may continue on the Facebook page. It’s seeing people support other people in very generous and unique ways. And it has at times kept me going when I felt I might stop.”
Jessica then asked:
“You’re a novelist, and I know a lot of writers struggle with finding enough time to write and have to be really selective about what else they commit their time to. I assume for you in particular this is a huge time commitment to be so devoted to Writer Unboxed. Was there a point when you realized that maybe this was growing into something bigger than what you first envisioned, but then also realized that this was something you did find worthy of so much of your writing time?”
I said:
“I almost remember the day that I called it a community for the first time. We had started to bring on contributors to the site. You know, the site originally started as…Kathleen and I were simply writing a post every other day, and it was a good day if we had three comments, and it just sort of grew from there… Over the course of maybe five years, instead of posting every other day I was posting every other week. And (eventually) I was able to stand back, and it was almost like there had been so much momentum in the thing that I didn’t really need to be a part of it anymore. And that isn’t to say that I’m not involved, because it is like a full time job, but it had a life of its own, and an important life of its own, and I think that was the day that I realized it was a community.”
The panel moved on, and each person described their connection with Writer Unboxed. Here’s what was said:
Good-times selfie. It happened.
“I find that the importance of the community and my own involvement to be in the fact that it is not just a good-times group… We discuss (things) at great length in comments. This is one of the great strengths of the community, is that we talk and talk and exchange […]
Read MoreBack in February, I kicked off a multitasking series here at WU. I had been struggling with focus–even reading novel-length fiction had become a challenge–and I could easily point to multitasking as at least a part of the problem. No small problem, either; focus might be the most valuable asset we have as creative individuals. You know this, I know this, and yet we regularly find ourselves doing too much. Often, we aren’t sure what has happened with our hours, and every day seems the same. Lost time. Lost opportunities. Lost stories. One Groundhog Day after another and an endless winter of creative discontent.
For me, becoming incensed about something often leads to change. Once I read that multitasking had been linked with a reduction of brain matter, I became a little riled up. And from the outpouring of comments on that first post, you did as well.
Over the last several months, we’ve talked about the value of organizing your mind and desk, with hat tips to several valuable resources, including Diigo, Dropbox, and Pocket. We’ve explored Stephen Covey’s quadrant approach for managing time. We’ve discussed different kinds of attention, and the exhaustion of mind that sets in when too many things stake a claim on our time at once (Directed Attention Fatigue). We’ve talked about minimizing unnecessary thought-intruders.
[pullquote]Did you know. . .?
Five days away from email can improve focus.[/pullquote]
But we haven’t fully explored Attention Restoration Theory–the idea that you can find your way back to a more energized self.
Meditation, which we talked about last month via my interview with Leo Babauta, definitely falls under this category. Today, I’m going to wrap the series with a few additional powerhouse habits you might consider adopting, things that may help you with focus and energy, and counter the worst effects of multitasking.
Reconnect with Nature.
Once upon a time, five neuroscientists went on a canoeing trip in Utah to explore an idea. . . What would happen to their hopping minds when they were isolated, without the Internet, in the wilderness?
Turns out, they were antsy. Until the third day.
On the third day, the sense of urgency that had been gnawing at them, demanding that they get back to their phones and desks and waiting email, faded. They slept better, and felt far more relaxed and focused on the now. It’s what NPR reporter Matt Richtel, who joined the scientists, dubbed the three-day effect.
It seems that the part of the mind that is ever on the lookout for the Next Exciting Thing may be happy enough to focus on trees and birds and cattails and sunsets. And temporarily muting that jabbery, thrill-seeking part of the brain may be enough to help reconnect us with our lost energy stores.
While not everyone can take a three-day trip to the wild to reset themselves, or will want to, even a 50-minute walk can improve focus and energy.
Read MoreIf meditation is something you’d like to master but it seems you’ll never find the time–or develop the skill–this post is for you.
One of the cool things about being human is our ability to be self-aware. Because of that ability, we can very thoughtfully direct our behavior. We can recognize patterns leading to low productivity, trace back the days, and map the chaos. We can consciously choose a different path. We can remember how to control our days. We can embrace stillness.
The benefits associated with meditation make for a long list, including improvements in attention and memory, a drop in stress, and–most relevant to this series–less of the switching behavior we so often see with multitasking. A recent study suggests that meditation can even help us retain gray matter as we age.
It may even help nurture creativity.
Hang with me for a second while I present an analogy. I spoke with my eye doc recently about the amount of time I spend in front of a screen. “You’ll need to stretch your eyes at least every few hours, otherwise you may experience a worsening in your distance vision,” he said. It’s called Computer Vision Syndrome. One of the easiest ways to “stretch your eyes” is to look out a window every twenty minutes or so, for at least thirty seconds, at things that are a greater distance away than your computer screen. A treeline. A yeti. Whatever it is that you see out there. This simple break helps you to preserve your long vision.
Excuse the pun, but you see where this is going. Taking a break to meditate–learning how, doing it regularly–is a lot like looking out that window, and it may be the best way to preserve the natural vastness of your mental terrain. After all, you can’t nurture an expansive territory if you spend your days chasing your tail.
Stop, Look, Listen
I am not an expert on meditation. Far from it. But I’ve long admired Zen Habits, home of bestselling author and blogger Leo Babauta. Zen Habits, with its clean appearance and simple-wise posts, is a hugely popular site–a top 25 blog with ~a million readers. I took a chance and reached out to Leo and was thrilled when he agreed to answer a few questions about meditation for Writer Unboxed. This is our conversation:
Therese: We writers have hopping minds, and thinking of nothing for even two minutes may seem impossible. Recently I heard a friend say something enlightening, though: Meditation is simply about recognizing your leaping thoughts, then directing them back to center. That seems do-able. How do you define meditation?
Leo: Meditation is a practice for living, but done in a simplified way. In our daily lives, our minds are always active, distracted, worried, fantasizing, making up stories, and so on. And that determines our reality, our happiness, our unhappiness. So meditation is about paying attention to one thing for a little while — let’s say your breath — and then noticing when your mind wanders. With this simple practice, you start to see how your mind works, become more aware of […]
Read MoreIf you multitask because you feel you have to in order to stay on top of things; if you’re overwhelmed with too much information and an inability to sort though it all; if you’re losing momentum on your writing projects because there is just too much on your plate… This post is for you.
It may be that you have a 9-5 job and are writing for yourself whenever you can, juggling several projects. You might have a book about to launch and another in the works. Your inbox, your desk, and your mind are in a constant state of chaos. I often have people ask me how I stay on top of things–family, WU, my writing career. Well, sometimes I don’t. But I do use strategies to maximize my time as often as possible.
First Steps
Declutter your mind with a few basic but key steps every day.
[pullquote]Dictation technology has come a long way since even last year. The microphone feature on my iPhone translates my audio notes into actual words that make sense—even to other people! I use it for texts, emails, and digital notes.[/pullquote]
Mono-Takes & Multiple Mediums
Smartphones, laptops, iPads… Just because they’re separate things doesn’t mean they can’t work together to create a streamlined experience for you via programs that sync across platforms. A few golden notables that work with multiple devices:
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Confession: This is a recycled post. I wrote this in 2006 — the first year of WU’s existence, before my debut novel was finished, picked up by an agent, and sold. Before my second novel was even imagined. But recently the dangers of polishing a manuscript prematurely came up in conversation, and I thought it might be time to revisit this spin. And this photo.
Also: GIVEAWAY
In honor of The Moon Sisters being named a Best Book of 2014 by Library Journal and also by BookRiot, I’d like to offer up a signed copy. If you’re interested in winning, please leave a note in comments saying as much. I’ll choose randomly from the interested commenters next week, and get a copy out the door in time for holiday gift-giving–or reading.
Now for the main course.
Frosting as I’m going to use it here doesn’t refer to anything involving confectioner’s sugar, however it’s just as important to an author interested in presentation and consumption as it is to a baker. Frosting isn’t anything central to your story; it will never appear in an outline. Frosting refers to things like chapter titles, poignant lines, funny quips, clever innuendo, even the arrangement of scenes in some cases. With this analogy, the cake itself is your core story—the plot, the characters, the voice.
If you’re like most people, you like frosting—as an eater and a reader—but as a writer we must be careful of it. Writing a draft that’s too pretty, too perfected with its minutiae, can make it painfully difficult later to edit. You may be at risk for this problem if you often find yourself charmed with details of your own writing, because when it’s time to make necessary edits, you may unconsciously (or even consciously) warp your scenes in order to keep those sculpted sugar-flower words and colorful arrangements. “But they’re sooo sweet, sooo pretty,” you may whine to yourself, struggling to have your cake and frosting too.
Truth is, you should never make a decision about a scene based on frosting; story details cannot hold sway over the story itself when it’s time to edit. Sometimes it works out and you may find a way to keep your favorite bits in a way that doesn’t seem forced, but other times you will have to pick up your editorial knife and scrape your artistic work away completely.
Your best bet? Know when to frost a scene to prevent the painful “unfrosting” process. Here’s how:
Read MoreA debut author I know recently wrote to ask:
[Ho]w do you assess a poor review from a Goodreads member (or anyone, I suppose)? Being new to this, I’m looking for some great tips on developing a thick skin.”
First, it’s worth noting that there are different kinds of poor reviews. Reviews of the “I hate your guts and your book’s guts” variety are one thing, and thankfully they’re pretty rare. (Erika Robuck wrote a great post on venomous reviews this past February, addressing how some authors cope.) Usually reviews are a mixed bag of things that did and didn’t resonate with readers, and aren’t meant to make an author feel like s/he should give it up and become a banker.
Let’s assume you have a mixed-bag review, and you’ve read it and you want to know… Now what? Can you take anything from it of value? And if so, how can you do that without becoming completely neurotic?
Let’s start with what you probably already know. It bears repeating:
Here’s what you may not know:
Read MoreThis is not an April Fools post. But for any office workers out there, I hope you keep tabs on your mouse and question any blue screens of death that might appear while you’re away from your desk.
I’ve had some interesting correspondence lately with folks in the publishing industry. Not my publisher, not anyone associated with The Moon Sisters. These folks asked to pick my brain about what authors feel about the current state of traditional publishing.
Why me? Because of you. Because of Writer Unboxed.
If things progress, I’ll reveal everything down the road, but for now I want to talk. With you. Because I’m only one author, and we are many, and if I move ahead with this I want to represent all of us.
If you had the opportunity to talk directly to folks in publishing, and be heard, what would you want to say? What works in traditional publishing today? What’s fractured or broken or lost? And most importantly, if something isn’t working, what might be done to fix it?
Be heard. Be constructive. Be unboxed. And be honest, even if you have to comment anonymously or prefer to do so via email.
Please use the “like” button if others’ comments resonate with you, too. (I know that button is a little touchy lately, by the way, but it’s still working, even if doesn’t seem to be registering your “like” right away.)
Thanks, everyone. See you in comments.
Read MoreSeveral WU’ers encouraged me to put up an interview today to help spread the word about The Moon Sisters, and while I recognized the value in doing that I also felt the idea lacked…spark. And then I thought, hmm, I wonder if my real sisters might be willing to step up today to talk about this book we know so well.
Let me introduce you to them. Aimee and Heather are my sisters. They won’t refer to me here as Therese; they’ll call me Teri (and you can, too!). Our childhood was made up of many normal childhood things–ice cream trucks going through the neighborhood, bicycle rides, dogs and cats (and guinea pigs and hamsters), favorite meals, arguments, ice down the back, water balloons to the face, and a lot of love. Our lives tipped upside-down, though, when our father died at the age of fifty-six. I’ve written a lot about that lately, and about my sisters, all with their gracious permission. This isn’t easy stuff to talk about, but over the years it’s become easier for all three of us. We’ve healed, each in our own ways. Death of a parent plays a significant role in The Moon Sisters; it forms the basis for a story about recovery of hope after grief, long histories and secrets, dark woods and train hoppers, synesthesia and ghost lights. And, of course, the complex blood bond that is sisterhood.
I hope you enjoy getting to know my family a little bit. And I hope you’ll stop by my personal website today, for a fun contest (and a fun video put together with the help of former WU’er Yuvi Zalkow) involving the taste of hope.
Q: What would you like people to know about The Moon Sisters?
Aimee: The Moon Sisters is a novel about despair, family bonds, coming of age, and most of all, it’s a story about desperate and heartfelt hope. It evokes laughter and tears, recognition and enlightenment, and it is a story that will stay in the mind long after the last page has been turned. Although it is listed under the genre of “women’s fiction,” it is a story that can speak to anyone: male, female, young, old, and everyone in between. Because really…who doesn’t need a little bit of hope?
Q: Do you see yourself in the story at all?
Heather: Initially, my first response was no. But in a separate conversation with Teri regarding our father’s passing and talking about how I coped with it, she said, “Doesn’t that sound like anyone from the book?” And I stammered and stuttered and said, “Well, I suppose I sound a little like Jazz!” I felt that what I needed to do for my family was to shut down and step up; that was my choice. You can say I gave Atlas a run for his money.
Aimee: I personally felt a very strong connection with Olivia. We share similar whimsical natures, vagabonding and a love of adventure, a touch of unrestrained energy, and a hope–often masked as confidence–that everything is going to be all right. However, I can easily relate to Jazz’s anger and her midnight black outlook on life. I was once there. That is one of the wonderful things about The Moon Sisters. […]
Read MoreToday—this day, March 4th, 2014—is publication day for me.
The Moon Sisters is out there in the great wide world, ready to be loved or not by Others who will never be the one who loves it best.
It’s scary. It’s exciting. It’s finally here. I’ll put up a Q&A about The Moon Sisters in just a bit–something fun and unusual. And I’ve kicked off a sensory contest about the taste of *hope* on my website (prizes: scented oils, chocolates, check it out). What else?
I could ask you to buy the book – review it on Amazon, Barnes & Noble, Indiebound, Goodreads, Shelfari – Tweet about it – Facebook about it – blog a review or a quick word of love for it – once – twice – three times – because the first few weeks after a book is published are the most significant when you’re published traditionally – turn it face out if you ever see it in a bookstore – order a few copies if you don’t see it in a bookstore – tell all of your book club friends to consider this story – leave a copy with your hairdresser for his clients to see (this really does work!) – ask me to Skype along with your club if I’m not able to see you in person – send a note to me to tell me you loved the book if you did because I need that fuel – like the reviews you read that resonate with you (on Amazon, Barnes & Noble, Indiebound, Goodreads, Shelfari) – take out a billboard – fly a plane with one of those giant banners that flits about proclaiming, “This book! This one! Read it! You will love it!”
But what I want most to say today is this:
Thank you.
Thank you for being my community. Thank you for making this the place I can be myself. Thank you for supporting me through the ups and downs that were my reality throughout the creation of this story.
You helped more than you know.
Besides, The Moon Sisters is not the only book fresh on the shelves today. Two other WU contributors have brand new books releasing today as well!
Please share the love with Barbara O’Neal (The All You Can Dream Buffet) and Erika Robuck (Fallen Beauty), and check out all three of our books on our fancy new Book Table page, where you’ll find synopses, reviews and a plethora of buying options too. Give me a little time, and eventually this table will be populated with books by other WU’ers as well and connected to our header. (Full disclosure: our Amazon affiliate code is keyed in, so a little kickback to the blog if you buy through our link. That kickback helps to pay for things like the Book Table plugin and much more.)
Buy books. Love books. Support books.
Read on!
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Note: This is my 500th post here at Writer Unboxed, so it had better be good.
It’s been my pattern of late to struggle with topics to write about here, and landing on a topic for Inside Publishing month was no different. Ultimately, I decided to go with the simplest truth relating to Inside Publishing that I can offer.
I talk with a lot of authors on a regular basis because of my position here at Writer Unboxed. Because of that, I hear things that authors don’t want to or can’t say publicly for fear of negative consequences. I hear about relationships with agents and editors that have turned neglectful or even hostile. I hear about publishing deals that have gone sour, sometimes seemingly overnight. I hear about strong books that became rejected options, and being let go from a house after enjoying what seemed a mutually beneficial relationship. I hear about dropped balls of all shapes and sizes, about the need for sales audits over questionable bookkeeping, about lack of funding to support a beloved release, about print runs that pale in comparison to initial promises. I hear about authors who are reduced to shadows of their former selves because poor sales or dysfunctional relationships or even fears over an uncertain future have made them doubt–their talent, maybe, or their ability to persevere within the business for any number of reasons.
So. My simple truth for anyone who has felt let down by the industry is something I tell author friends from all walks all of the time.
You are not alone.
Everyone is weak sometimes, and everyone doubts occasionally.
These things happen, quite a bit more than you may realize.
Recovery from setbacks happens, too, just as frequently.
Because problems–even publishing problems–are temporary.
And business is rarely personal.
You can get past this.
There are at least a dozen ways around it.
It’s just hard to see those paths when your eyes are glued shut with disappointment.
It’s hard to remember the taste of hope.
But you will.
Here’s what you need to do:
Read MoreConfession: I’ve had unshakable Blogger’s Block for about a week, and I considered offering up my spot to a guest more than once. None of the topics I came up with felt quite right.
How much I dislike pre-release PR activities? (Very true. Not very empowering.)
How I’m rediscovering Goodreads? (Meh.)
The importance of rich backstory? (Don tackled that well, and recently.)
How about why WordPress doesn’t recognize “backstory” as an actual word? No? Okay, then.
I was saved yesterday by a New York Times article about the film Saving Mr. Banks, featuring an interview with Tom Hanks and Emma Thompson. In case you need a primer, Saving Mr. Banks is the story of how Mary Poppins made it to the big screen. Not easily. Because the author of the story, P. L. Travers, wasn’t keen to see her book turned into a Disney flick.
The interview is interesting and filled with gems that writers should appreciate.
But it was this part of the interview, referencing Travers’ youth with her alcoholic father and Thompson’s experience with her own father, who was a writer, that got to me. Said Thompson:
Read MoreDear WU Community,
First one, then two, then three, four, and five people sent notes yesterday to let me know that Writer Unboxed was named a Top Ten Blog for Writers in Write to Done’s annual roundup. Thanks so much for all of your nominations. We’re proud of this designation, and that we’re able to sustain quality posts for you year-round, with an eclectic and talented group of contributors, and our generous guests (56 of them in 2013 alone).
We’ll be taking a short break to recharge, but we’ll be back on January 1st with a post from The Donald (Donald Maass, of course). In the meanwhile, feel free to peruse our archives–
January posts
February
March
April
May
June
July
August
September
October
November
December
–and our monthly contributors’ most popular columns in 2013:
A Brief Review
This year brought a load of change to Writer Unboxed.
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