Posts by Therese Walsh

Writer Unboxed on Community at the Writer’s Digest Conference

By Therese Walsh / August 4, 2015 /

I just returned from a long weekend in New York City, where I joined seven other Writer Unboxed contributors—Donald Maass, Erika Robuck, Heather Webb, Dan Blank, Porter Anderson, Brunonia Barry, and Vaughn Roycroft—for a panel called Writer Unboxed, LIVE at the Writer’s Digest conference.  As often happens for panelists as a courtesy, our moderator—Jessica Strawser, editor of Writer’s Digest magazine—let us know a few of the questions she’d ask ahead of time. This was the first we knew to expect:

Why is the Writer Unboxed community important to you, and what have you gotten from it over the years?

The answer should’ve been easy, right? Yet I couldn’t settle on how I’d respond, and that showed in my stumbling start when it came time to answer, live.

“What the community means to me… It’s a hard question for me to answer, honestly. It’s these people,” I said, gesturing down the table to my fellow panelists, “and it’s everyone who comes to the site on a daily basis and leaves comments, and creates legs for a conversation that has started on the blog and may continue on the Facebook page. It’s seeing people support other people in very generous and unique ways. And it has at times kept me going when I felt I might stop.”

Jessica then asked:

“You’re a novelist, and I know a lot of writers struggle with finding enough time to write and have to be really selective about what else they commit their time to. I assume for you in particular this is a huge time commitment to be so devoted to Writer Unboxed. Was there a point when you realized that maybe this was growing into something bigger than what you first envisioned, but then also realized that this was something you did find worthy of so much of your writing time?”

I said:

“I almost remember the day that I called it a community for the first time. We had started to bring on contributors to the site. You know, the site originally started as…Kathleen and I were simply writing a post every other day, and it was a good day if we had three comments, and it just sort of grew from there… Over the course of maybe five years, instead of posting every other day I was posting every other week. And (eventually) I was able to stand back, and it was almost like there had been so much momentum in the thing that I didn’t really need to be a part of it anymore. And that isn’t to say that I’m not involved, because it is like a full time job, but it had a life of its own, and an important life of its own, and I think that was the day that I realized it was a community.”

The panel moved on, and each person described their connection with Writer Unboxed. Here’s what was said:

Good-times selfie. It happened.

“I find that the importance of the community and my own involvement to be in the fact that it is not just a good-times group… We discuss (things) at great length in comments. This is one of the great strengths of the community, is that we talk and talk and exchange […]

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Know Your Nature, Nurture Your Focus (Multitasking Series, part 5)

By Therese Walsh / June 3, 2015 /

Back in February, I kicked off a multitasking series here at WU. I had been struggling with focus–even reading novel-length fiction had become a challenge–and I could easily point to multitasking as at least a part of the problem. No small problem, either; focus might be the most valuable asset we have as creative individuals. You know this, I know this, and yet we regularly find ourselves doing too much. Often, we aren’t sure what has happened with our hours, and every day seems the same. Lost time. Lost opportunities. Lost stories. One Groundhog Day after another and an endless winter of creative discontent.

For me, becoming incensed about something often leads to change. Once I read that multitasking had been linked with a reduction of brain matter, I became a little riled up. And from the outpouring of comments on that first post, you did as well.

Over the last several months, we’ve talked about the value of organizing your mind and desk, with hat tips to several valuable resources, including Diigo, Dropbox, and Pocket. We’ve explored Stephen Covey’s quadrant approach for managing time. We’ve discussed different kinds of attention, and the exhaustion of mind that sets in when too many things stake a claim on our time at once (Directed Attention Fatigue). We’ve talked about minimizing unnecessary thought-intruders.

[pullquote]Did you know. . .?

Five days away from email can improve focus.[/pullquote]

But we haven’t fully explored Attention Restoration Theory–the idea that you can find your way back to a more energized self.

Meditation, which we talked about last month via my interview with Leo Babauta, definitely falls under this category. Today, I’m going to wrap the series with a few additional powerhouse habits you might consider adopting, things that may help you with focus and energy, and counter the worst effects of multitasking.

Reconnect with Nature.

Once upon a time, five neuroscientists went on a canoeing trip in Utah to explore an idea. . . What would happen to their hopping minds when they were isolated, without the Internet, in the wilderness?

Turns out, they were antsy. Until the third day.

On the third day, the sense of urgency that had been gnawing at them, demanding that they get back to their phones and desks and waiting email, faded. They slept better, and felt far more relaxed and focused on the now. It’s what NPR reporter Matt Richtel, who joined the scientists, dubbed the three-day effect.

It seems that the part of the mind that is ever on the lookout for the Next Exciting Thing may be happy enough to focus on trees and birds and cattails and sunsets. And temporarily muting that jabbery, thrill-seeking part of the brain may be enough to help reconnect us with our lost energy stores.

While not everyone can take a three-day trip to the wild to reset themselves, or will want to, even a 50-minute walk can improve focus and energy.

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How to Meditate When You’re Too Busy to Meditate, and Why You Should Care — with Leo Babauta (Multitasking Series, part 4)

By Therese Walsh / May 5, 2015 /

If meditation is something you’d like to master but it seems you’ll never find the time–or develop the skill–this post is for you.

photo by Ron Shoshani

One of the cool things about being human is our ability to be self-aware. Because of that ability, we can very thoughtfully direct our behavior. We can recognize patterns leading to low productivity, trace back the days, and map the chaos. We can consciously choose a different path. We can remember how to control our days. We can embrace stillness.

The benefits associated with meditation make for a long list, including improvements in attention and memory, a drop in stress, and–most relevant to this series–less of the switching behavior we so often see with multitasking. A recent study suggests that meditation can even help us retain gray matter as we age.

It may even help nurture creativity.

Hang with me for a second while I present an analogy. I spoke with my eye doc recently about the amount of time I spend in front of a screen. “You’ll need to stretch your eyes at least every few hours, otherwise you may experience a worsening in your distance vision,” he said. It’s called Computer Vision Syndrome. One of the easiest ways to “stretch your eyes” is to look out a window every twenty minutes or so, for at least thirty seconds, at things that are a greater distance away than your computer screen. A treeline. A yeti. Whatever it is that you see out there. This simple break helps you to preserve your long vision.

Excuse the pun, but you see where this is going. Taking a break to meditate–learning how, doing it regularly–is a lot like looking out that window, and it may be the best way to preserve the natural vastness of your mental terrain. After all, you can’t nurture an expansive territory if you spend your days chasing your tail.

Stop, Look, Listen

I am not an expert on meditation. Far from it. But I’ve long admired Zen Habits, home of bestselling author and blogger Leo Babauta. Zen Habits, with its clean appearance and simple-wise posts, is a hugely popular site–a top 25 blog with ~a million readers. I took a chance and reached out to Leo and was thrilled when he agreed to answer a few questions about meditation for Writer Unboxed. This is our conversation:

Therese: We writers have hopping minds, and thinking of nothing for even two minutes may seem impossible. Recently I heard a friend say something enlightening, though: Meditation is simply about recognizing your leaping thoughts, then directing them back to center. That seems do-able. How do you define meditation?

Leo: Meditation is a practice for living, but done in a simplified way. In our daily lives, our minds are always active, distracted, worried, fantasizing, making up stories, and so on. And that determines our reality, our happiness, our unhappiness. So meditation is about paying attention to one thing for a little while — let’s say your breath — and then noticing when your mind wanders. With this simple practice, you start to see how your mind works, become more aware of […]

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No Time to Write? Maximize Your Minutes (Multitasking Series, part 3)

By Therese Walsh / April 14, 2015 /

If you multitask because you feel you have to in order to stay on top of things; if you’re overwhelmed with too much information and an inability to sort though it all; if you’re losing momentum on your writing projects because there is just too much on your plate… This post is for you.

photo by Jordy Rossell

It may be that you have a 9-5 job and are writing for yourself whenever you can, juggling several projects. You might have a book about to launch and another in the works. Your inbox, your desk, and your mind are in a constant state of chaos. I often have people ask me how I stay on top of things–family, WU, my writing career. Well, sometimes I don’t. But I do use strategies to maximize my time as often as possible.

First Steps

Declutter your mind with a few basic but key steps every day.

  • Keep a to-do list. Keep your to-dos either on a physical piece of paper, a set of index cards (one task per card), or in a digital file. Keep your list in front of you, and add any stray thoughts that try to derail you as you work through your day. “Write down all the chatter, like ‘pick up milk on the way home’ and ‘don’t forget to call back your friend Alan’ and ‘property tax bill is due today,’ ” said Daniel Levitin, PhD, professor of psychology and behavioral neuroscience at McGill University and bestselling author of The Organized Mind: Thinking Straight in the Age of Information Overload. “That way, your creative time is pure creative time, not intruded upon by the necessities of life.”
  • Keep your writing and personal lives organized with a digital calendar.  iCal is a favorite among my author friends, while Dr. Levitin names Outlook calendar as his all-time favorite app. “Everything that is time-bound goes in there and it shows up automatically on all my devices,” he said.
  • [pullquote]Dictation technology has come a long way since even last year. The microphone feature on my iPhone translates my audio notes into actual words that make sense—even to other people! I use it for texts, emails, and digital notes.[/pullquote]

  • Apply the two-minute rule to email and other small jobs. That means if you can do something in ~two minutes, go for it; you’ll ultimately save yourself time. Clumping these small tasks can be efficient, too. “If you’ve got a bunch of little things that only take 2 minutes each, do them all in a marathon block of 20 or 40 minutes,” said Dr. Levitin
  • Mono-Takes & Multiple Mediums

    Smartphones, laptops, iPads… Just because they’re separate things doesn’t mean they can’t work together to create a streamlined experience for you via programs that sync across platforms. A few golden notables that work with multiple devices:

  • Meet Diigo: a powerhouse resource every author should try. If you’re anything like me, there’s always an article to read, either on the industry or for book research, but saving your thoughts on a resource can be a pain. Should you print out and highlight every article? Then what? Where will you keep them? With Diigo, you can highlight, tag, and annotate […]
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  • Snakes on a Brain (Multitasking Series, Pt 2)

    By Therese Walsh / March 12, 2015 /

    Akiyoshi Kitaoka’s rotating snakes, featured on the cover of the Journal of Neuroscience

     

    Last month I began a series on multitasking with a post called Monotasking: The Forgotten Skill You (and I) Need to Re-Claim, ASAP. Since then, I’ve continued my study of time and mind management (because that’s really what we’re talking about here) and interviewed multitasking expert Dr. David Meyer, Professor and Chair of Cognition & Cognitive Neuroscience, at the University of Michigan. I spoke with Dr. Meyer for over an hour, and we covered a lot of ground, some of which I’ll share with you here today. One of my first questions was simple on the surface but a little knotty in reality:

    What, exactly, qualifies as multitasking?

    Does multitasking mean complex multitasking? Simple multitasking? What about these words from the world of business: switchtasking and background tasking and continuous partial attention? James Scott Bell referred to present-moment multitasking, then serial monotasking in comments last month. Bob Bois mentioned Monkey Mind.  For our purposes it doesn’t really matter what you call it. If you’re trying to do more than one thing at the same time for much of your day, this is for you. (Serial monotasking is safe, James. That’s actually an ideal way to work.)

    When I asked for your feedback last month, for you to reveal your primary reason for multitasking, most of you said you multitask because you can’t seem to shut it down; it is like a compulsion. Only a few of you said you multitask because you’re good at it. Others said they had to multitask to stay on top of things. I’m going to leave that latter group for later, and not just because it’s alliterative. This month let’s talk about what might be behind the compulsion. Right after we talk about Keith.

    The Curious Case of Keith Cronin

    Our very own Keith wrote in comments last month:

    I’ve earned a living for decades as a true multitasker – playing drums professionally. Drumming requires each of your four limbs to do something different – usually directly related, but sometimes not. And many drummers also sing while they play: task number five. It’s essentially like rubbing your belly while patting your head – while riding a unicycle and whistling.

    Jealous of this skill—and especially of the unicycle—I was eager to bring up Keith’s situation with Dr. Meyer. Here’s what he had to say about it.

    First of all, [Keith] might just be performing one task—the task of music production. I would suggest that for this drummer, learning came into play, and he essentially learned to perform the overall task of music production through a lot of practice. If you practice enough with certain kinds of tasks you can combine them so you just wind up with one task; these things become integrated. The tasks for which this is possible are the ones that don’t conflict with each other physically or mentally.

    Makes sense, no? There are plenty of tasks that you can do concurrently without effecting the outcome because they don’t conflict with each other physically or mentally. Writing while walking on the treadmill. Listening to an audio book while driving or running. Cleaning the kitchen and talking on the telephone. And on and on.

    Natalie Hart had […]

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    Monotasking: The Forgotten Skill You (and I) Need to Re-Claim, ASAP

    By Therese Walsh / February 3, 2015 /

    photo by Ryan Ritchie

    This isn’t an easy post to write, because I’ll need to admit to something that’s a little embarrassing. Lately, at times, it’s been difficult for me to read. Yep, read. Not because I’ve forgotten how or because I lack the desire to do so, but because my mind leaps to Else as soon as I begin reading anything lengthier than a Twitter or Facebook post, which, of course, includes novels.

    Not good.

    Just focus, I tell myself. And I do for a few graphs, and then I’m gone again, chasing a stray thought set off by something I’ve just read or imagined with some un-still part of my mind.

    Is it ADD? I suspect not, as I can focus on other things and this seems a relatively new problem for me.

    So what’s going on?

    A 21st Century Problem

    I had an interesting conversation with a friend last week. Let me preface this tale by saying my friend is a brilliant programmer who works at Microsoft. As we chatted with our group over dinner, he admitted that he’s recently had trouble focusing on long texts, including books. There are a few caveats. He can focus on audiobooks. (Same here.) And he focuses best when in an environment that’s somewhat noisy and bustling–like a Starbucks. (Likewise, I focus best while wearing headphones and listening to a background-noise app.)

    We talked about how we both felt plagued by this weird new thing, and then it hit me. “We’ve become–had to become–professional multitaskers, and it’s almost as if we’ve retrained our brains,” I said. “Now we can’t focus for any length of time on one thing even when that’s our choice.”

    He agreed. We respond to emails while on the phone. We look over our RSS Feeds while brushing our teeth. We make coffee with one hand while scrolling through our Twitter feed(s) with the other. We have eleven windows open at once online, for two or three or four projects. Often we have not only one screen before us, but two–phone and computer, phone and television, computer and iPad. And even when we are physically doing just one thing, our minds are often on something—or two, then three somethings—completely different. Because brains are adaptable, and this is what they’ve been taught, this is how we’ve programmed them to behave.

    Our minds have become fragmented because we are living fragmented lives.

    The Truth of the Fallacy

    That conversation with my friend inspired me into research mode. What caused this thing that was happening to us? Was it common? And—most importantly—what might be done about it?

    I’d heard that multitasking is a fallacy—that when we think we’re doing two things at once, we’re usually only doing one and not as well as we might believe–so I wasn’t surprised by the evidence found in support of that idea. But one study seemed particularly pertinent because, as mentioned, my friend works at Microsoft:

    A classic 2007 study of Microsoft workers found that when they responded to email or instant messaging alerts, it took them, on average, nearly 10 minutes to deal with their inboxes or messages, and another 10-15 minutes to really get back into their original tasks. That means […]

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    The Trouble with Frosting

    By Therese Walsh / December 5, 2014 /

    Confession: This is a recycled post. I wrote this in 2006 — the first year of WU’s existence, before my debut novel was finished, picked up by an agent, and sold. Before my second novel was even imagined. But recently the dangers of polishing a manuscript prematurely came up in conversation, and I thought it might be time to revisit this spin. And this photo.

    Also: GIVEAWAY

    In honor of The Moon Sisters being named a Best Book of 2014 by Library Journal and also by BookRiot, I’d like to offer up a signed copy. If you’re interested in winning, please leave a note in comments saying as much. I’ll choose randomly from the interested commenters next week, and get a copy out the door in time for holiday gift-giving–or reading.

    Now for the main course.

    Frosting as I’m going to use it here doesn’t refer to anything involving confectioner’s sugar, however it’s just as important to an author interested in presentation and consumption as it is to a baker. Frosting isn’t anything central to your story; it will never appear in an outline. Frosting refers to things like chapter titles, poignant lines, funny quips, clever innuendo, even the arrangement of scenes in some cases. With this analogy, the cake itself is your core story—the plot, the characters, the voice.

    If you’re like most people, you like frosting—as an eater and a reader—but as a writer we must be careful of it. Writing a draft that’s too pretty, too perfected with its minutiae, can make it painfully difficult later to edit. You may be at risk for this problem if you often find yourself charmed with details of your own writing, because when it’s time to make necessary edits, you may unconsciously (or even consciously) warp your scenes in order to keep those sculpted sugar-flower words and colorful arrangements. “But they’re sooo sweet, sooo pretty,” you may whine to yourself, struggling to have your cake and frosting too.

    Truth is, you should never make a decision about a scene based on frosting; story details cannot hold sway over the story itself when it’s time to edit. Sometimes it works out and you may find a way to keep your favorite bits in a way that doesn’t seem forced, but other times you will have to pick up your editorial knife and scrape your artistic work away completely.

    Your best bet? Know when to frost a scene to prevent the painful “unfrosting” process. Here’s how:

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    Mixed Review? Why It’s All Good.

    By Therese Walsh / June 3, 2014 /

    by Flickr’s Chris JL

    A debut author I know recently wrote to ask:

    [Ho]w do you assess a poor review from a Goodreads member (or anyone, I suppose)? Being new to this, I’m looking for some great tips on developing a thick skin.”

    First, it’s worth noting that there are different kinds of poor reviews. Reviews of the “I hate your guts and your book’s guts” variety are one thing, and thankfully they’re pretty rare. (Erika Robuck wrote a great post on venomous reviews this past February, addressing how some authors cope.) Usually reviews are a mixed bag of things that did and didn’t resonate with readers, and aren’t meant to make an author feel like s/he should give it up and become a banker.

    Let’s assume you have a mixed-bag review, and you’ve read it and you want to know… Now what? Can you take anything from it of value? And if so, how can you do that without becoming completely neurotic?

    Let’s start with what you probably already know. It bears repeating:

  • It’s not personal. Reviewers are judging your story and not you as an individual. Embrace that distinction, and you’ll find it easier to read a range of opinions about your work with little or no defensiveness.
  • Distance grows calluses. Some authors can read mixed reviews right after their book’s publication and be unaffected. Other writers need more time, or to be absorbed in a new project before they can read criticism without a spike of anxiety. Whatever your tendencies, know that distance can make it easier to wade through reviews.
  • You can’t control this. And here is a theme. You can control little about the business except for the story itself, and you most certainly cannot control how readers who are not your friends and family will receive your book. You don’t know their names, their occupations, their levels of education, what they generally like to read, if they’ve had a bad day, etc… All you know is that they took the time to read your book. And as author Sarah McCoy once wrote, “That alone is worthy of respect.”
  • Authors who debate their readers’ opinions look petty and immature, nine times out of ten. It’s so easy once you understand this point: It’s their book. Their. Book. They have paid for the right to like it, love it, hate it, or feel nothing at all about it.
  • Here’s what you may not know:

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    Dear Publishers, Signed (You)

    By Therese Walsh / April 1, 2014 /

    photo by Matt E

    This is not an April Fools post. But for any office workers out there, I hope you keep tabs on your mouse and question any blue screens of death that might appear while you’re away from your desk.

    I’ve had some interesting correspondence lately with folks in the publishing industry. Not my publisher, not anyone associated with The Moon Sisters. These folks asked to pick my brain about what authors feel about the current state of traditional publishing.

    Why me? Because of you. Because of Writer Unboxed.

    If things progress, I’ll reveal everything down the road, but for now I want to talk. With you. Because I’m only one author, and we are many, and if I move ahead with this I want to represent all of us.

    If you had the opportunity to talk directly to folks in publishing, and be heard, what would you want to say? What works in traditional publishing today? What’s fractured or broken or lost? And most importantly, if something isn’t working, what might be done to fix it? 

    Be heard. Be constructive. Be unboxed. And be honest, even if you have to comment anonymously or prefer to do so via email.

    Please use the “like” button if others’ comments resonate with you, too. (I know that button is a little touchy lately, by the way, but it’s still working, even if doesn’t seem to be registering your “like” right away.)

    Thanks, everyone. See you in comments.

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    Therese Walsh’s Sisters on The Moon Sisters

    By Therese Walsh / March 4, 2014 /

    Several WU’ers encouraged me to put up an interview today to help spread the word about The Moon Sisters, and while I recognized the value in doing that I also felt the idea lacked…spark. And then I thought, hmm, I wonder if my real sisters might be willing to step up today to talk about this book we know so well.

    Let me introduce you to them. Aimee and Heather are my sisters. They won’t refer to me here as Therese; they’ll call me Teri (and you can, too!). Our childhood was made up of many normal childhood things–ice cream trucks going through the neighborhood, bicycle rides, dogs and cats (and guinea pigs and hamsters), favorite meals, arguments, ice down the back, water balloons to the face, and a lot of love. Our lives tipped upside-down, though, when our father died at the age of fifty-six. I’ve written a lot about that lately, and about my sisters, all with their gracious permission. This isn’t easy stuff to talk about, but over the years it’s become easier for all three of us. We’ve healed, each in our own ways. Death of a parent plays a significant role in The Moon Sisters; it forms the basis for a story about recovery of hope after grief, long histories and secrets, dark woods and train hoppers, synesthesia and ghost lights. And, of course, the complex blood bond that is sisterhood.

    I hope you enjoy getting to know my family a little bit. And I hope you’ll stop by my personal website today, for a fun contest (and a fun video put together with the help of former WU’er Yuvi Zalkow) involving the taste of hope.

    Q: What would you like people to know about The Moon Sisters?

    Aimee: The Moon Sisters is a novel about despair, family bonds, coming of age, and most of all, it’s a story about desperate and heartfelt hope. It evokes laughter and tears, recognition and enlightenment, and it is a story that will stay in the mind long after the last page has been turned. Although it is listed under the genre of “women’s fiction,” it is a story that can speak to anyone: male, female, young, old, and everyone in between. Because really…who doesn’t need a little bit of hope?

    Q: Do you see yourself in the story at all?

    Heather: Initially, my first response was no. But in a separate conversation with Teri regarding our father’s passing and talking about how I coped with it, she said, “Doesn’t that sound like anyone from the book?”  And I stammered and stuttered and said, “Well, I suppose I sound a little like Jazz!” I felt that what I needed to do for my family was to shut down and step up; that was my choice. You can say I gave Atlas a run for his money.

    Aimee: I personally felt a very strong connection with Olivia. We share similar whimsical natures, vagabonding and a love of adventure, a touch of unrestrained energy, and a hope–often masked as confidence–that everything is going to be all right. However, I can easily relate to Jazz’s anger and her midnight black outlook on life. I was once there. That is one of the wonderful things about The Moon Sisters. […]

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    Thank You

    By Therese Walsh / March 4, 2014 /

    Today—this day, March 4th, 2014—is publication day for me.

    The Moon Sisters is out there in the great wide world, ready to be loved or not by Others who will never be the one who loves it best.

    It’s scary. It’s exciting. It’s finally here. I’ll put up a Q&A about The Moon Sisters in just a bit–something fun and unusual. And I’ve kicked off a sensory contest about the taste of *hope* on my website (prizes: scented oils, chocolates, check it out). What else?

    I could ask you to buy the book – review it on Amazon, Barnes & Noble, Indiebound, Goodreads, Shelfari – Tweet about it – Facebook about it – blog a review or a quick word of love for it – once – twice – three times – because the first few weeks after a book is published are the most significant when you’re published traditionally – turn it face out if you ever see it in a bookstore – order a few copies if you don’t see it in a bookstore – tell all of your book club friends to consider this story – leave a copy with your hairdresser for his clients to see (this really does work!) – ask me to Skype along with your club if I’m not able to see you in person – send a note to me to tell me you loved the book if you did because I need that fuel – like the reviews you read that resonate with you (on Amazon, Barnes & Noble, Indiebound, Goodreads, Shelfari) – take out a billboard – fly a plane with one of those giant banners that flits about proclaiming, “This book! This one! Read it! You will love it!”

    But what I want most to say today is this:

    Thank you.

    Thank you for being my community. Thank you for making this the place I can be myself. Thank you for supporting me through the ups and downs that were my reality throughout the creation of this story.

    You helped more than you know.

    Besides, The Moon Sisters is not the only book fresh on the shelves today. Two other WU contributors have brand new books releasing today as well!

    Please share the love with Barbara O’Neal (The All You Can Dream Buffet) and Erika Robuck (Fallen Beauty), and check out all three of our books on our fancy new Book Table page, where you’ll find synopses, reviews and a plethora of buying options too. Give me a little time, and eventually this table will be populated with books by other WU’ers as well and connected to our header. (Full disclosure: our Amazon affiliate code is keyed in, so a little kickback to the blog if you buy through our link. That kickback helps to pay for things like the Book Table plugin and much more.)

    Buy books. Love books. Support books.

    Read on!

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    Notes From a Desk (4): A Simple Truth

    By Therese Walsh / February 4, 2014 /

    Note: This is my 500th post here at Writer Unboxed, so it had better be good.

    adapted from Flickr’s an untrained eye

    It’s been my pattern of late to struggle with topics to write about here, and landing on a topic for Inside Publishing month was no different. Ultimately, I decided to go with the simplest truth relating to Inside Publishing that I can offer.

    I talk with a lot of authors on a regular basis because of my position here at Writer Unboxed. Because of that, I hear things that authors don’t want to or can’t say publicly for fear of negative consequences. I hear about relationships with agents and editors that have turned neglectful or even hostile. I hear about publishing deals that have gone sour, sometimes seemingly overnight. I hear about strong books that became rejected options, and being let go from a house after enjoying what seemed a mutually beneficial relationship. I hear about dropped balls of all shapes and sizes, about the need for sales audits over questionable bookkeeping, about lack of funding to support a beloved release, about print runs that pale in comparison to initial promises. I hear about authors who are reduced to shadows of their former selves because poor sales or dysfunctional relationships or even fears over an uncertain future have made them doubt–their talent, maybe, or their ability to persevere within the business for any number of reasons.

    So. My simple truth for anyone who has felt let down by the industry is something I tell author friends from all walks all of the time.

    You are not alone.

    Everyone is weak sometimes, and everyone doubts occasionally.

    These things happen, quite a bit more than you may realize.

    Recovery from setbacks happens, too, just as frequently.

    Because problems–even publishing problems–are temporary.

    And business is rarely personal.

    You can get past this.

    There are at least a dozen ways around it.

    It’s just hard to see those paths when your eyes are glued shut with disappointment.

    It’s hard to remember the taste of hope.

    But you will.

    Here’s what you need to do:

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    “I think most artists are fundamentally inconsolable. That’s why they keep doing it.”

    By Therese Walsh / January 7, 2014 /

    photo by Flickr’s kmichiels

    Confession: I’ve had unshakable Blogger’s Block for about a week, and I considered offering up my spot to a guest more than once. None of the topics I came up with felt quite right.

    How much I dislike pre-release PR activities? (Very true. Not very empowering.)

    How I’m rediscovering Goodreads? (Meh.)

    The importance of rich backstory? (Don tackled that well, and recently.)

    How about why WordPress doesn’t recognize “backstory” as an actual word? No? Okay, then.

    I was saved yesterday by a New York Times article about the film Saving Mr. Banks, featuring an interview with Tom Hanks and Emma Thompson. In case you need a primer, Saving Mr. Banks is the story of how Mary Poppins made it to the big screen. Not easily. Because the author of the story, P. L. Travers, wasn’t keen to see her book turned into a Disney flick.

    The interview is interesting and filled with gems that writers should appreciate.

  • On listening to tapes of Travers trying to collaborate with Disney’s composers: “You can hear the distress, the tension and the resistance, just the purposeful sabotage in her voice.”
  • On Travers’ appearance: “She had curly hair, which she cut into a bubble bob, which she wore for most of her life. It kind of suited her…There’s something tightly coiled about her and tightly coiled about her hair.”
  • On how Emma Thompson tapped into Travers’ character: “She was a tough nut to crack. When I’m creating a character, I sort of do a brass rubbing, sort of put some tracing paper over the character and rub it and then think, ‘Which bits?’”
  • But it was this part of the interview, referencing Travers’ youth with her alcoholic father and Thompson’s experience with her own father, who was a writer, that got to me. Said Thompson:

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    News, Reviews, Previews, and a Long Winter’s Nap

    By Therese Walsh / December 23, 2013 /

    Dear WU Community,

    First one, then two, then three, four, and five people sent notes yesterday to let me know that Writer Unboxed was named a Top Ten Blog for Writers in Write to Done’s annual roundup. Thanks so much for all of your nominations. We’re proud of this designation, and that we’re able to sustain quality posts for you  year-round, with an eclectic and talented group of contributors, and our generous guests (56 of them in 2013 alone).

    We’ll be taking a short break to recharge, but we’ll be back on January 1st with a post from The Donald (Donald Maass, of course). In the meanwhile, feel free to peruse our archives–

    January posts
    February
    March
    April
    May
    June
    July
    August
    September
    October
    November
    December

    –and our monthly contributors’ most popular columns in 2013:

  • Porter Anderson’s “Are You Lonesome Tonight? The Dreaded Solitude of Writing
  • Dan Blank’s “Are You Building an Audience of Writers, Not Readers?
  • Sarah Callender’s “What We (Really) Need to Hear
  • Lisa Cron’s “Story First, Writing Second
  • Keith Cronin’s “Talk Dirty to Me
  • Dave King’s “Rules and Tools
  • Robin LaFever’s “Fear: The Uninvited Guest
  • Donald Maass’s “The Bridge and the Tunnel
  • Jael McHenry’s “Happy NaDoToYoNoMo!” (National Don’t Touch Your Novel Month)
  • Jan O’Hara’s “What’s a Pantster to Do When They’re Stuck? Go Tell It TO the Mountain.
  • Barbara O’Neal’s “The Sea Change of Self-Publishing
  • Ray Rhamey’s “Flog a Pro: The Fault in Our Stars by John Green
  • John Vorhaus’s “Unfortunately, You Died
  • Heather Webb’s valuable, comprehensive Tweet Roundups, culled from WU’s Twitter account
  • For fun, check out a post from our humorist, Bill Ferris, called “How to Create Your Perfect Pen Name” (One of my goals for 2014 is to ensure that everyone realizes Bill is the king of irony, and that when he suggests leaving comments like “THRILLING ADVENTURE, MY NOVEL “CHUPACABRA-CADABRA” FREE ON AMAZON! 14 FIVE-STAR REVIEWS!!!” on every blog post you read, he’s kidding. Really, he is.)
  • In terms of my posts, check out “Notes From a Desk (2): Respecting Your Process.”
  • A Brief Review

    This year brought a load of change to Writer Unboxed.

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