Posts by Terah Shelton Harris
In my previous post for Writer Unboxed, I wrote about defining success, prompted by a friend’s question about my first book: Was your book successful?” I examined how success can be defined differently and how it varies from writer to writer. But since then, I’ve come to realize that my exploration of the topic wasn’t quite complete.
In the year since my debut, I’ve learned a hard truth: The metrics I once considered indicative of success didn’t turn out to be as significant as I originally thought. Despite not achieving many of the lofty goals I had envisioned, such as signing with a dream agent, securing a six-figure book deal, making the New York Times bestseller list, or receiving a star review, I’ve discovered that success can manifest in unexpected ways.
Success Might Come Later
Like many aspiring writers, I had a list of dream agents. Due to the uniqueness of my situation (I received a book deal before I signed with an agent), I had numerous offers from agents, one of which was my dream agent. Or so I thought. This dream agent represented a few of my favorite writers and worked at a large New York based agency. However, when given the opportunity to speak with them, I quickly learned that their vision for my book did not align with mine. In fact, an edit was suggested that I did not only disagree with but was a major deal-breaker for me. My dream agent wasn’t so dreamy after all.
Instead, I signed with an agent who wasn’t on my initial dream list. Yet, she has become my biggest advocate. She is now my dream agent, not because she sounds good on paper or works at a splashy agency, but because she supports me through revisions, provides encouragement during deadlines, and has negotiated two major deals. I can’t imagine navigating publishing without her. Writers, it’s okay if you sign with a smaller or a lesser-known agent. The right agent might not always match the fantasy you’ve envisioned, but they can be a perfect fit in ways you didn’t anticipate.
It should come as no surprise as a debut author that I did not sign a six-figure book deal. Far from it. However, I recently signed a six-figure book deal for my next two books, negotiated by my agent who is now truly my dream agent. Writers, don’t be discouraged if you don’t achieve your goals right away, success might arrive later than expected.
Success Might Not Be Immediately Apparent
I’m aware that I’m not a widely known author yet. In fact, most of you reading this article probably have never heard of me or read any of my books. And you know what? That’s okay. Because it proves my point. You don’t know me because I have not made the New York Times bestseller lists. I have not been nominated nor won any major publishing awards. The truth is, the success of my books isn’t immediately visible.
A study by EPJ Date Science showed that of the 100,000 new hardcover books published annually, fewer than 500 make it on to The New York Times Best Seller list (0.5 percent). Many novels (26 percent) appear on the list for only one week and achieving such a […]
Read MoreA few months ago, as the buzz around my debut novel, One Summer In Savannah, began dying down, a question posed to me by a friend really rocked me to my core. “Was your book successful?”
I opened my mouth to speak but no words materialized. I snapped it shut and opened it again. This time, the words came out all at once. “Yeah…I think…sure. I don’t know.”
I had not given much thought to the question. For me, or so I thought, my debut was successful the moment I typed the last word, and, later, signed a two-book deal with Sourcebooks. Writing books is hard. It has been said 97% of people who start a book never finish it. I had finished writing a book and that landed me in a rare category of writers. That’s something to celebrate, right? And it was published! That had to account for something.
Except…I wasn’t so sure anymore. Yes, technically, a book is a success if you wrote it, and it was published, and people read it. So, why did I stumble to answer the question?
After much thought, the answer was simple: I kept moving the goalposts. It was no longer enough that I wrote the book or published it. I needed something else to reach for and achieve. I had never drawn a line in the sand. I had never defined my definition of success. But what was it?
I realized I struggled with the question because I had not yet answered another one: What’s the best measurement of success?
For me, and I can imagine for so many other writers, it’s making a list, notably the New York Times bestsellers list. But is that goal achievable? According to an EPJ Data Science study that used big data to analyze every New York Times bestselling book from 2008 to 2016, of the 100,000 new, hardcover print books published each year, fewer than 500 make it on to The New York Times bestseller list (0.5 percent). My book was not one of them. Does that mean it wasn’t successful? Am I the only writer who has struggled with this question?
As a published writer, how do you define success?
That’s the question I posed to myself and two of my writing besties, Jason Powell, author of No Man’s Ghost, and Meagan Church, bestselling author of The Girls We Sent Away. Their answers, as well as mine, truly surprised me.
There are thousands of authors who never get their books in front of audiences. And thousands more who do, but never get any acclaim, Powell says. He believes it’s a cliché to tell an author that just being published is a victory and a mark of success if that author doesn’t yet feel accomplished. And some may feel a sense of accomplishment for having finished a book they felt comfortable sending out, because that was their goal.
“Make a list, no matter if it’s one item long or a hundred. I think even if one of those things is checked off, you’re a success,” he said.
Powell says his book is successful because people he didn’t send it to have read it. “It’s a weird feeling opening up something you’ve created to public opinion, but not a totally […]
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Do not read your reviews. Do. Not. Read. Your. Reviews. That’s the advice parroted to me over and over again from multiple writing friends just before the publication of my book, One Summer in Savannah. At first, I took this advice to heart without question. There must be a reason why every writer I know is consistently telling me this. Then I heard horror story after horror story about the mental toll reading reviews can have on writers and how relentless and cruel some reviewers can be.
And yet, I was curious. As writers, we know why reviews are important. Books are made available months before publication with the purpose of garnering positive reviews and ramping up word of mouth. Good reviews can play a critical part in the success of a book and work as excellent marketing and sales tools. Reviews can be very beneficial for writers. So why shouldn’t writers read their reviews?
What, if anything, can be gained by writers reading their reviews?
That’s the question I posed to five published writers of various genres who spoke with me on the condition of anonymity. Are there pros and cons to take from reading your reviews?
“A writer should only read their reviews if they can mentally handle it,” a mystery writer said to me. “I’m not opposed to writers reading their reviews and have even read a few of my own, but you have to have thick skin. If not, the result can be disastrous.”
There’s no greater example of this than when earlier this year, an author went viral after lashing out at the reviewer who gave her upcoming book a four-star review. Upset that the reviewer messed up her perfect 5-star average, the author not only named the reviewer but published a series of TikToks venting her frustration. The writer’s publisher later decided to part ways with the author but not before many reviewers explained that authors should stay out of reviewer’s spaces.
But should they? Should writers stay out of reviewer’s spaces? Can reading reviews, dare I say it, be useful for writers brave enough to handle criticism?
Absolutely, according to a historical fiction writer I spoke to. “A few astute reviewers correctly pointed out an issue with my plot, an issue that is not easily obvious but one that frustrated me,” she said. “Because of this, while on tour, I made sure I pointed out this issue and addressed it. I would have never been able to do that if I didn’t read a few of my reviews.”
Another writer I spoke to also agrees that reading reviews can be helpful for writers. “I wasn’t sure I wanted to read my reviews but in doing so I discovered that several reviewers commented on the pacing in my book and how much it frustrated them. While writing my next book, I was a little more conscious of the pacing.”
But not all writers agree that reading reviews is helpful. A romance writer I spoke with firmly believes that writers should stay off Goodreads and NetGalley. “I fail to see why writers would subject themselves to reading reviews,” she said. “If a reviewer complains about the book, it’s not like we can change anything at that point. I think writers […]
Read MoreTherese here to introduce you to today’s guest, Terah Shelton Harris. I met Terah on Twitter, where I learned that she is a librarian and freelance writer–with works appearing in Catapult, Women’s Health, Every Day with Rachel Ray, and more–and that she had tackled a very difficult topic for her debut novel, One Summer in Savannah. I’m so pleased that she accepted the invitation to write for WU to share her experience–why she traveled the road she did, how it stretched her as a writer, and how her topic asked her to consider her readers.
“Terah Shelton Harris’s daring debut is nothing short of astonishing. To write a novel that has the capacity to uplift you while it tears your heart to shreds is a balancing act few can achieve, but Harris does with ease and endless empathy. We are brought face-to-face with the most difficult questions––of family, forgiveness, and how to make a way forward––but if we can muster the courage of characters like Sara and Jacob, we will find answers that sustain us for years to come. The best writers are brave writers, and Harris has proven herself among those ranks.” —Mateo Askaripour, New York Times bestselling author of Black Buck
You can learn more about Terah and her debut novel, which releases on July 11th, on her website. You can also follow her on Twitter and Instagram. Welcome, Terah!
As writers, we invite readers on a journey. We take their hands and escort them to a crime scene to solve a mystery. We take them on a character’s path to self-discovery or inside the ups and downs of a relationship. We invite them to imagine worlds that do not exist. But sometimes the journey isn’t to far-flung destinations. Sometimes that journey isn’t very far at all. Sometimes the journey lies within the reader.
As writers, we need to consider what we ask of readers as we write. For example:
How do YOU define forgiveness? What is it? And what does it mean to you? My debut novel challenges readers to explore the definition of forgiveness and what it truly means to forgive.
Because my own understanding of forgiveness was challenged.
Inspiration for my novel stems from the 2015 Emanuel African Methodist Episcopal Church shooting. After the parishioners fed him and prayed for him, Dylann Roof shot and killed nine of them. Days after that terrible tragedy, before they had even buried their loved ones, some of the survivors and relatives of those killed walked into a South Carolina courtroom and forgave Roof. Everything I thought I knew and understood about forgiveness shattered. At that moment, I realized I knew nothing about forgiveness. I assumed that there were crimes and acts that were unforgivable. I learned the opposite. The loved ones who forgave Roof taught me that forgiveness is not one-size fits all and unknowingly challenged me to look inward to create and test my own definition of forgiveness.
Writing isn’t supposed to be comfortable or easy, and neither is reading. Rather than running from what makes us uncomfortable, we can take risks, challenge ourselves, and take our readers along with us.
While my novel doesn’t involve a situation like […]
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