Travel & Writing: Exploring the Creative Connection
By Erika Liodice | September 27, 2021 |
The first time I saw the Great Wall of China, it was on the front of a postcard my dad had sent from a business trip. I kept that postcard with the others in my bedside table drawer where I’d reach for them nightly, feasting my eyes on Holland’s colorful tulip fields and wooden windmills. The Eiffel Tower’s slender silhouette at sunset. England’s storybook thatched cottages. I’d flip through images of faraway lands, wondering what it felt like to stand in each place. Imagining the sound of their languages and the flavors of their food. I may not have known what I wanted to be when I grew up, but I knew what I wanted to do: travel.
For me, traveling has never been about luxury hotels or fine dining (though I appreciate both every now and then), it’s about knowing that the air in Athens, Greece smells like oranges. That the Pitjantjatjara people of the Central Australian desert snack on honey ants. That there is a group of yogis in Burlington, Vermont, who meet at the Sailing Center dock every morning for sunrise Vinyasa surrounded by Lake Champlain’s soothing blue water. It’s about stepping out of my daily routines and habits to surprise my senses by observing infinite variations of what it means to live.
As a writer, exploration and discovery are kindling for my creative furnace. I didn’t fully appreciate the magnitude of travel’s influence on my creativity until it was taken away during the pandemic. It took the monotony of my wake-work-binge-watch routine to realize that my confinement and dulling flame were inextricably linked.
Of course, this dynamic is neither unique to me nor a novel concept. The connection between travel and creativity has long been examined by artists and scientists alike. And while the relationship seems undeniable, I was curious how those experiences translated to the page. So, I recently connected with some of my fellow Writer Unboxed contributors and community members to find out how travel has influenced their work. Today, I’m sharing the insights I’ve learned from their experiences.
Traveling Helps Us Remember the Forgotten
The opportunity to see a new place may inspire us to book a trip, but often it’s the stories rooted in their landscapes that stay with us long after we return home. Chilean writer Isabel Allende, who’s known for creating imaginative stories around significant historical events, once said, “Write what should not be forgotten.” In this way, travel has been a source of inspiration for historical fiction writer Erika Robuck, author of The Invisible Woman, opening her eyes to the contributions and struggles of women who have been all but forgotten by history.
“I’m sensitive to atmospheric nudges, the way an old house or city trembles for one to notice a story it holds,” said Erika. “The first that influenced my writing was my visit to the Hemingway House, in Key West. As I walked the grounds, I was overcome by a desire to set a story there. When I returned home, a dream where Ernest Hemingway urged me to write the novel set my course for Hemingway’s Girl,” which brings Hemingway to life through the eyes of Mariella Bennet, a fictional character inspired by a real-life Cuban girl who was the object of his infatuation.
When Erika’s book tour for Call Me Zelda took her to Concord Books, in Massachusetts, she spent time visiting Nathaniel Hawthorne’s house before her signing. “I had that same feeling of being overcome,” Erika explained. “It was Hawthorne’s wife, Sophia, however, who caught my attention. In Hawthorne’s writing room, on the glass in the window overlooking the river where Sophia had fallen on ice, inducing a miscarriage, she had used her diamond ring to etch ‘Man’s accidents are God’s purposes.’ From that, The House of Hawthorne was born.”
What “forgotten” people, places, and stories have you encountered in your travels?
Travel Sparks Our Curiosity
In Elizabeth Gilbert’s creativity manifesto Big Magic, she describes a lifetime devoted to creativity as “nothing but a scavenger hunt—where each successive clue is another tiny little hit of curiosity.” She encourages creatives to, “pick each one up, unfold it, see where it leads you next.”
Historical fiction writer Sarah Penner, author of The Lost Apothecary, found herself on one such scavenger hunt several years ago during a business trip to London. “As soon as my plane touched down in the city, I had the sensation of having lived there in a prior life,” said Sarah. “The energy, the historic landmarks, the Victorian pubs … I was equally awestruck by this enormous city and entirely at ease within it.”
When she wasn’t at the office, Sarah followed her curiosity through nearby Ludgate Hill’s narrow cobblestone alleyways, ancient doors, and mysterious passageways, which became the setting of her dual-timeline novel that switches between the 1790s and present day. “It was impossible not to imagine the long-lost secrets that might be lying within,” Sarah explained. “Those explorations inspired the hidden apothecary shop in my story that is ‘buried deep behind a cupboard wall at the base of a twisted alleyway in the darkest depths of London.’”
Where has your curiosity led you and your writing?
Travel Is a Journey to Understanding
Thomas Henry Pope, author of Imperfect Burials, relies on travel to add authenticity to his books. “While internet research and imagination can create good bones to a story, sensory and ground-level experience draw readers and hold them tight,” said Thomas. “Characters are enriched by relating to setting.”
Though his next book, The Trouble with Wisdom, occurs 35 years from now, to get the details right, Thomas made the journey his characters do on their spiritual quest. He traveled through Canada, Alaska, Japan, Korea, China, and Tibet, which enabled him to write confidently about the land, light, weather, fabrics, architecture, accents, dance, and even humor. “The lay of the land and the cities influenced the plot points. Knowing China’s deserts was pivotal for the stakes. And people I met populated the scenes. In Tibet, I learned nomadic women choose whom they are married to, and they hold the wealth. Husbands are there at the wives’ consent. This allowed for wonderful character development for my American male protagonist.”
How has traveling enhanced your story’s authenticity?
Travel Awakens Our Inner Storyteller
Ibn Battuta, the Muslim Moroccan scholar who is said to have traveled more than any other explorer in premodern history, said of traveling, “It leaves you speechless, then turns you into a storyteller.”
For thriller author Angela Greenman, whose debut novel The Child Riddler is forthcoming, it was the Prague Castle that left her speechless and roused her inner storyteller. “I was overwhelmed by the atmosphere and its massive complex,” said Angela. “Inhaling the towers’ cold musty smell imbued me with its history—the ruthless discipline of the castle archers at the narrow windows; the fear that the torture victims must have felt—and my muse went into overdrive, inspiring a major ‘chase’ scene that takes place in the castle.”
Angela used the details that moved her, like the tall graceful blue bottle of Bulgaria’s national drink, rakia, and the glow of Austria’s green and blue domes in the evening light, to weave an elegant “background tapestry” that contrasted her characters’ devious plotting.
When did traveling leave you speechless—and how did the experience impact your writing?
Travel Guides Us to Our ‘True North’
Twenty-nine transatlantic crossings, a trip around the word, and countless other adventures led American novelist Mark Twain to conclude that “travel is fatal to prejudice, bigotry, and narrow-mindedness.” More than 150 years later, those words still ring true for poet and YA speculative fiction author KL Burd, for whom a lifetime travel has been an eye-opening experience that has inspired his writing philosophy: Never focus on the ills of a society. Instead, find out what makes it special and unique.
As a young child, KL’s family moved from the U.S. to Germany, and the 13 years that followed shaped his entire life. “From our home base in Southern Bavaria, I traveled to Austria, The Czech Republic, Italy, France, England, Switzerland, Belgium, Luxembourg, and more,” said KL. “And with every bite of a new dish, or with learning a new phrase, I was taught that my view of the world is not the only one that matters. Each city brought an appreciation for differences. It taught me to celebrate the beautiful parts that make each person, town, and country unique.”
As an adult, KL visited his parents’ home in the Caribbean and explored the surrounding Islands. “I’ve taken in all the parts of North America and have found that my place is among the people of the world. The world has more to offer than I could ever imagine, and I relish in the fact that the joy, love, and unity in spirit of people across many lands can be a source of hope for humanity. That hope shows up in my work. That hope keeps me traveling to new places and basking in the possibility of sharing fresh, amazing stories with the world.”
How has traveling shaped your writing philosophy?
Departing Thoughts
If your work in progress has hit a roadblock, I’d like to offer you the advice of American author Ray Bradbury: “Stuff your eyes with wonder. Live as if you’d drop dead in ten seconds. See the world. It’s more fantastic than any dream made or paid for in factories.”
Whether you have time for a 100-day journey, like Thomas Henry Pope, or a few hours to explore a new city after work, like Sarah Penner, a world of wonder and possibility is waiting to leave you speechless and unearth the story inside. If you need a little help finding your way, check out my upcoming project with National Geographic, 1,000 Perfect Weekends: Getaways Around the Globe, for innovative excursions that might just put you on the path to your next big idea.
How has travel influenced your writing and/or creative process?
Hello Erika, and thank you for writing about travel’s impact on writing. You’ve made me mindful, again, of just how dependent my novels are on NOT taking place in the ho-hum of the everyday.
For me, though, I have to live the experience for some time to feel at ease using it. I envy anyone who can use “if it’s Thursday, this must be Cologne” encounters effectively–and some writers can. My three suspense novels all take place somewhere besides home. I’ve lived in two of them–Micronesia and Florida– and had fished the Boundary Waters of northern Minnesota eight or ten times before I felt at ease there with my characters.
Thanks again. You’re absolutely right in saying that travel quickens the imagination, and challenges us with novelty.
I can appreciate your desire to linger in a place, Barry. For many years, limited vacation time prevented me from staying anywhere longer than a week. Now that I’m 100% remote, I can be a digital nomad, bringing my work with me for extended “traveling holidays,” which offers invaluable opportunities for deeper exploration and a richer understanding of the places I visit.
Barry, I meant to comment here when the post first came out, but forgot: where in Micronesia did you live? I lived for a year on Kosrae (and a wild, eye-opening experience it was).
Tanks for the post that made me long to travel again Erika!
Close to home there is also a great deal to discover, too. Whether far or near, or though, the discoveries either set a scene or create a story event.
There’s what a place feels like or alternately what happened there, or could. The former shines, the latter is gold.
May I add one thought? Maybe two. Travel green when you can. Travel safe, meaning masks and protocols. Make appointments and say why. People love to tell you stuff, especially when you’re not just a nosy tourist but a curious and inquiring professional. Send thank you notes.
Okay, four things. Thanks for this post. Just took my first pandemic trip, to the Southwest. As great as the place is was the even better feeling of waking from a coma.
Of course you are right about close to home, Benjamin. Good writers know how to take something familiar, and make it fresh. I hope I do that as well.
A few weeks ago I discovered that an hour away from the town I lived in for 38 years was the first U.S. home of John James Audubon, for whom the Audubon Society was named. As someone who’s written about birds, I was stunned to learn that I’d overlooked this gem. You’re right, traveling doesn’t haven’t to require plane tickets or passports. There is much be to discovered locally.
Thanks for your travel tips. Happy trails!
Erika, I, too am a travel writer and am energized by visiting new places. I’m also a MG historical fiction author, and find numerous ideas in my adventures. But, like you, the pandemic has squelched much of my inspiration, but my hubby and I are heading to Mt. Rushmore National Park in South Dakota on Thursday. Hopefully, I will find inspiration along the way. Thanks for voicing my thoughts perfectly. I can see we are kindred spirits!
I love meeting kindred spirits, Jarm. I’ve never been to Mt. Rushmore but the Dakotas are on my wishlist. Happy exploring!
Thanks, Erika. Your post made me realize I tend to think of travel in terms of how my reading affects my travel rather than how my travel affects my writing. When I look at it from that perspective I’d have to say that travel has made me aware that, cultural differences aside, people are people and everyone has a story.
Right before the pandemic I was in Ireland for the first time and was lucky enough to be there for 6 weeks. My original plan included 5 days in Sligo, but I met a woodcarver named Michael Quirke who was woodcarver, philosopher, and storyteller. I spent part of every day hanging out in Michael’s shop listening to him talk with tourists and when they left, digging deeper into his wealth of experiences.
He worked out of what used to be his dad’s butcher shop, was a butcher with him and sold his carvings out of the shop on the side. When his dad died he converted it into his woodcarving shop.
He was a little younger than my own dad, who’d died less than a year before, and I found myself changing my plans to keep coming back to Sligo so I could see him again and again. In the end, I spent maybe 10 days total in Sligo over three trips, spent hours in Michael’s shop hearing his stories and sharing some of my own.
Because of Michael I have a different relationship with poetry and write poetry differently from how I did before. I see history and life a little differently from knowing him and carry that into whatever writing I do. But most of all, I know that while I appreciate the visual beauty I found throughout Ireland, the real treasure that will forever impact my writing is in Michael, and in Vanessa from the bakery in Dingle who told me we might as well exchange names because we’d be seeing each other every day when I came to get my daily cinnamon roll, in Xavier from Luxembourg who was a paramedic and had seen so much so young, and in Edward, the pizza maker, writer, and instant friend in Dublin.
I miss travel, too. Because I miss the people. And that’s inspired me to reach out more and more via email to people I’ve not reached out to in a long time. A different kind of writing for sure, and I enjoy all of it. Thanks!
Carol, your story reminds me of a quote, “A journey is best measured in friends, rather than miles.” It’s powerful to hear about the friendships you’ve made along the way and the richness they’ve added to your experience. Thanks for sharing!
Lovely essay and congratulations on the new book, Erika! Wow! One thousand getaways. I had no idea, I’m such a homebody and love being a tourist in my own town. But I found a funny thing about writing about places. I seem to write about them not while I’m living there but after much time has passed and the material has composted in some way in my head. So I write about India while in the US; about WA while in SC; about a rainforest while on the beach.
Yesss! I totally relate to this, Vijaya. Today, I’m sitting in Maine writing about Florida. “Composting” is the perfect word for it, lol.