How to Make Your Novel into a Media Franchise

By Guest  |  August 2, 2007  | 

We are very pleased to bring you our latest guest blogger, Eric von Rothkirch, blogmaster for the must-read blog Quantum Storytelling.  We love Eric’s approach to craft and his willingness to explore the unboxed aspects of the publishing business. 

Eric was born in St. Paul, Minnesota. He grew up on a diet of 80s action movies and video games. In his teens he played in rock bands, considering a career in the music business before the lure of video games was too great to pass up. Eric began building game levels for popular action games, which in 2000 got the attention of Electronic Arts. He did a brief tour of the industry before landing at 3D Realms in late 2001 to work on Duke Nukem Forever, and has been there ever since. Eric now aspires towards the creation of media franchises as he completes the first entry in a sci-fi novel series.  

This is the first of a two-part series.  Part Two will go live next week.  Enjoy!

What do George Lucas and J.K. Rowling have in common? Tolkien and Stan Lee? They create more than just novels, films, and comic books. The true products they create are not just printed pages and celluloid strips run through projectors at movie theaters. Each one of them has created a successful media franchise, or several media franchises.

It is important not to limit your perspective about what you are trying to create to the mere medium you are creating it for. As a novelist you are not creating a book, filled with paper pages that have ink on them. You are creating a media franchise. Many of the successful media franchise creators I’ve mentioned didn’t necessarily set out to create a franchise. Lucas set out to tell a classic story with Star Wars, using the principles of mythology created by Joseph Campbell. But his approach is largely responsible for the success of Star Wars. And each and every one of the people listed above has approached their work in a way that led to a successful media franchise.

You are not just a writer or an author. You are the creator of a media franchise. Whether it is a successful one, intentionally, or unintentionally, is up to you.

That’s the good news.

But what is a media franchise? It seems like a fuzzy concept at first appearance — a term thrown about by marketing people who are trying to understand successes in the publishing world and entertainment industry. You are most likely not a foot soldier in some corporation’s marketing department. As the creator of a media franchise you have more power to shape the final product than any marketer would have. You can, if you so choose, do a lot of the marketing work before the product even hits shelves. In fact the most successful marketing is often built into the product itself.

The hooks within the Harry Potter franchise were not something tacked on by a marketing department after Rowling had already written the book. That would have never given the Harry Potter series the kind of legendary appeal it has found with audiences. Only Rowling herself could create such a novel, memorable, and endearing boy wizard that managed to hook people.

Likewise, only you as the creator are responsible for making your media franchise a success. If your characters, world, and plot do not contain sticky ideas then no marketing department will ever be able to help you.

With that said, what are some of the common features of successful media franchises?

A successful media franchise needs:

  • Memorable and interesting character names
  • Episode Titles that convey something about the story or ‘episode’ being told
  • A central hook and resonating themes for each character
  • Central hooks, features, and themes of the unique world behind the story you are telling
  • Adaptive Memes – Concepts that work across all mediums: Novels, films, and video games

This may seem like a tall order to fill, and indeed it is very challenging. Even creators who set out to make something with these elements in mind sometimes fail. This is not a sure-win formula that guarantees success. It is merely an ingredient list that increases your probability of having a hit. Think of it like giving you better dice rolls. If a successful media franchise is represented by a five or a six on a six-sided die, then accounting for these features gives you a greater probability at rolling a five or a six. It gives the ideas more stickiness and interest to your potential audience. And you still get to create whatever it is you want, with all its artistic flair.

In that sense these elements are not a prescription. Use them as a rough guidelines or a checklist.

Next week, Eric explores the elements critical to creating a successful media franchise. You won’t want to miss it.

7 Comments

  1. theamcginnis on August 2, 2007 at 11:19 am

    great article – why not think BIG in terms of your work? i wonder, though, how much most of the successful writers planned for in terms of creating a successful media franchise, or it just happened and they adjusted to it (like jkr’s harry potter series)? is such a phenomeon something you can really plan for?



  2. Eric on August 2, 2007 at 12:00 pm

    I don’t think any of them anticipated their success. But if you look at all the big franchises like James Bond, Harry Potter, Indiana Jones, Star Wars — they all have features in common.

    The fact you can find common features among the most popular franchises, at least in the abstract, means that someone could set about constructing a media franchise upon the same principles.

    There are no guarantees, but I truly believe you can stack some more odds in your favor if you find the underlying principles behind the most successful franchises. I talk a bit more about that in part two.



  3. Dan on August 2, 2007 at 12:21 pm

    Media franchise can be planned, but not guaranteed. Look at the number of recent comic book-to-movie translations that fit many or all of the guidelines above, but don’t always even make back the cost of production. Lucas, for example, directed a low-budget, B-movie in Star Wars. The “Episode IV” title in the lead-in wasn’t added until later editions, and the original sequel was “Splinter of the Mind’s Eye” published in novel form in 1978 (with a very different story development and settings that easily translate to low-budget production). Once Star Wars was a big hit, however, Lucas co-opted the catchy title as the name of the franchise and retitled the move “Episode IV: A New Hope”.



  4. Therese Walsh on August 2, 2007 at 3:08 pm

    An intriguing thesis, Eric! I look forward to next week’s post.



  5. Kathleen Bolton on August 2, 2007 at 7:05 pm

    I think the most important element of a successful franchise is to have a character(or characters) who people simply want to know more about. Hmm, now that I look at the list, I wonder if there any big female character franchises out there. Lara Croft? I think she kinda fizzled. Anne of Green Gables?

    One big franchise that’s flying under the radar is Disney’s High School Musical juggernaut. Anyone who has kids between the ages of 8-14 know what I’m talking about. ;-)



  6. Eric on August 2, 2007 at 10:14 pm

    Kathleen, Lara Croft started in the game industry, and games have always had a rough go adapting to other mediums. But seeing as she’s the female Indiana Jones of sorts, you could count her.

    But you’re right, not a huge success outside of games.

    There is definitely a ‘position’ open for female action hero. Somebody get crackin’ on that one! :)



  7. Nienke on August 7, 2007 at 2:28 pm

    Hi Eric! Imagine running into you here!
    I believe a well-crafted story should contain most of the items on your list, perhaps with the exception of adaptive memes.
    As you recommend, I would bring in your list during rewriting as another way to make sure I have as many elements of a good story as a I can.
    I look forward to next week’s post!